It started with an image. A tiny girl chased by a giant red veil. But it started before that, at a Human Rights Watch talk at the Frontline club, where I first heard about child brides, the number one issue facing human rights campaigners.
It stuck in my mind. A girl, clever girl, young, still at school, who didn’t want to get married. Not yet. Not to a man much older than her. Not when she was ten, twelve, thirteen. So I carried this idea around, waiting to write it up. And in the winter, just before Christmas, it came out – this dream, this chase, this story. A runaway child bride, here, in London, on the River Thames. And then this story was made real. ‘Red River’ was selected for the Directors UK Challenge ALEXA scheme, sponsored by ARRI.
We went into pre-production in February and have just shot the film over three action-packed days in March. Alongside my writer-director role, I put my producer’s cap on and started to pull the elements together that we needed. There was a 12 year old girl in a boat on the river, a VFX dream sequence involving a giant veil, a chase sequence on the River, involving mud, more boats and water, and a series of driving scenes across London. It seems I had written a rather complicated ten minuter. But mostly I thought about the girl in the boat. The boat and the girl, drifting away in my dreams. And the Risk Assessment…
The best thing about producing as well as directing is you get to pick the best people as your team. 90% of directing actors is great casting – and I had an amazing cast thanks to our clever casting director Shakyra Dowling, including Goldy Notay, Munir Khairdin, Simon Nagra, and our two young actresses – Nikhita Mani and Mia Rolfe.
So I do believe that directing a crew depends on – well – that crew being something special. Which of course they turned out to be.
Abigail Berry at Directors UK provided invaluable production support while ARRI gave us an Alexa XT camera with a set of Master Anamorphic lenses and a generous lighting and kit allowance – plus a terrific amount of goodwill and technical know-how from Milan Krsljanin and his team of Challenge Alexa camera trainees (and all trainees are Met Film School graduates!).
So we hit the River running – and then God gave us the weather.
Light on the water, captured on those beautiful lenses by expert cinematographer Patrick Duval.
Footfall and dialogues caught by our very own Sam Cousins.
And production design by creative dynamo, Sam Sharma.
Then 11 year old Nikhita Mani ran on screen and became that character I had dreamed of all those months before. That clever girl, that girl who didn’t want to get married so soon, so young…
So now we are in the edit, with my old friend Alex Morgan, and in a few weeks time I will have to let her go – to the composer, the VFX compositor, the sound mixer and the colourist, ready for our Challenge Alexa screening in May. And then she will be off again, across the screen, running for her life, towards a new life.
Catch her while you can…
HUGE THANKS to everyone who has worked with us so far! Emma xxx
All photos by Doris Zajer..