5 Ways to Survive a Trexit Winter

images-366

It’s been a tough old year. As we face up to the double jeopardy of Trump and Brexit (Can we be punished twice for the same crime?) it’s hard to know how to comfort each other, to step up and do what’s right when we feel demoralised and silenced. How can we use the winter months to recover?

  1. Zone out the Noise.  Reading my social media feeds, I feel like a horse grazing in a field of rubble, stubbing my nose on shards of opinion, starved of real information or cheer. While it’s important to question untruths, we use a lot of energy consuming and reposting the same news or venting our (understandable) anger. Yes we have to grieve but then we have to get on – with the work. Take time out to recover, take stock, reflect. So we can hear our own voices again.
  2. Trust yourself.  After Brexit I felt I had got something very wrong, safe in my online bubble, sharing my values with my friends, unaware or dismissive that others felt differently. After the result I felt my voice didn’t matter, had no effect. Now I know it does but that I need to do more.
  3. Get Active. Donate, Promote, Engage. It’s relatively easy to sign an online petition, but more rewarding to volunteer time or support. Help Refugees are looking for help right now. We’re all busy but doing something yourself breaks the cycle of helplessness. Positive action is worth a thousand words.  And yet –

    images-368

  4. Keep writing. We need voices to articulate what is happening. To challenge the bluster of the far right. To expose simplistic arguments and reach people with stories that move and engage them. To give us comfort and hope, to reaffirm our true values.
  5. Support each other. Organise. Vote. Plan for a future without Trump, connected to Europe and the wider world, where prosperity for all, not fear, is what drives us. Set up an action group  like House of Cards writer @BeauWillimon if you don’t like what’s on offer. Protest in all ways, and don’t forget your greatest weapon- your heart and mind – your words and actions matter.

    images-367

Take heart. You’re not alone.  And don’t forget. There’s always chocolate…

 

The Road We Travel

DearWhitePeople-620x348

I woke up feeling militant today. When it comes to my film career, have I taken The Road Less Travelled? But if so, why do I meet so many Fellow Travellers? Today it feels more like The Road We Travel. Here’s where we’re going and why:

In Search of Alternative Structures. After years of riding those two horses of being inner-directed as a writer and yet respecting the market, I believe there is a third way – to build your audience as you write and make your film – and create an alternative distribution path. The internet has made this real, but it also builds on a far older model where stories rise up to meet the needs of the community – we seek out the stories that help us understand our universe and survive it, maybe even transcend it for a few moments.

crew on houseboat

Away from Predictability and Routine. It is not our job to sell the old paradigms of existing shows and tried and tested formats. It’s our job to originate new ones. No one under 20 admits to watching TV. Yet they do watch heavily authored and beautifully crafted series that speak to their own tastes and values. Nothing is ever truly new of course and those shows stand on the shoulders of others and have their own ritualistic formats and tropes. But at least for the moment they feel box-set fresh, a story we want to collect, like golden breadcrumbs.

25 Muni holds up oar in boat

To Meet Fellow Travellers and Collaborate. Communities of filmmakers, actors, writers, musicians and other creatives are getting together online and in the real world to create, distribute and cross-promote each others’ work. The freelancers have got together and as Billy Bragg would say, ‘there is power in our union’. Our manifesto is simple:

This is What We Want to Make. This is What We Need to Say.  Choose your dream project and make it happen. ‘I want to invite you to join me in making a story I care about.’ Few can resist those words and so artist speaks to artist directly without mediation or need of cumbersome management structures that falter at the first hurdle of making a decision.

web-photo2-620x348

Make a Choice. Stand up for the stories you want to tell, the people you want to work with and the causes you believe in. Build value into your movies – not just monetary (though that would be nice) – but true value that supports our community and makes us stronger.

BornIntoBrothels_Jan2005

Diversity is Who We Are. It is not a special interest group or a catch-all phrase for troublesome outsiders. We are a truly diverse nation and we have the opportunity like never before to reach a global audience by writing, making and distributing our own stories. There is a huge pool of talent already trained and ready to be a part of this– don’t let anybody tell you otherwise.

May Your God Go With You. All belief systems are valid, even those we despise have a function for those who hold to them. To contemplate a network of stories and storytellers that span this incredible world of ideas, to connect emotionally to even one human being is extraordinary. How much greater is it to connect to millions with our words, our images, our lives?

Let’s Get Together. And make something great.

Red River Screening

I’m in the usual places – @emlin32, and right here. Leave a message. x

Pitching for the International TV Market

images-143

So many film-makers I know live and work around the world.  So how do you pitch yourself and your projects to this brave new global market?  I have spent the last five years between London and New York, producing and directing for US and UK television.  I recently gave a talk on how to pitch beyond the UK  for the BBC and Creative Skillset  – here’s what I came up with:

1)   Get Moving. Go to international TV festivals to meet TV Execs from around the world – MIPCOM and MIPTV are well-established markets; for factual try Realscreen and Realscreen West in the US and Sheffield in the UK.  NYTVFest can put you in a room with networks like Fox to pitch your comedy pilots directly.

images-139

2)   Get Online.  There are many online briefings available   – Radarscreen offers global factual briefs and commissions; Cynopsis is great for US TV news;  our own TVMole serves up excellent UK and international commissioning news, not forgetting Broadcast which covers not only the UK but the latest  international deals too.

3)   Partner Up. You can find a UK Indie that has a presence in the country you are targeting, or contact the Indie Unit at BBC Worldwide for advice on where to pitch your projects and who to contact, which can act as your sales and distribution company.  Or use your agent or approach foreign channels directly through your own company if you prefer.

images-145

4)   Watch their Shows.  Sounds obvious but if you want to make shows for a foreign audience, you need to key into what already works there, it’s a different country, a different culture with different audience expectations.  Ignore this at your peril… because

images-144

5)   Style matters. Identify the many differences in format for the country you’re pitching to compared to say the UK version of the same show and adopt this style in your pitch, written treatments and teaser reels.

images-120

6)   Speak their Language – Each country has it’s own particular business culture, which you need to learn and operate within. The best way is through living and working there, but you can also ask advice from colleagues who’ve been there and learn from their experience.

7)   Treat Co-producers with Respect. A commission from another country is not just gap-financing, they are buying a say in the final product and if you have more than one country in play, you need to balance the needs of all of them with your own taste as a writer/director or producer.

images-146

8)   Be your own Brand. Be you – internationally. Your programme ideas are could be universal in their appeal if you think outside country lines and reach out to the audience you identify with most – wherever that may be in the world.

Good luck! And see you Up in the Air….

images-141

You can leave a comment here or contact me @emlin32 on Twitter…