The Road We Travel

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I woke up feeling militant today. When it comes to my film career, have I taken The Road Less Travelled? But if so, why do I meet so many Fellow Travellers? Today it feels more like The Road We Travel. Here’s where we’re going and why:

In Search of Alternative Structures. After years of riding those two horses of being inner-directed as a writer and yet respecting the market, I believe there is a third way – to build your audience as you write and make your film – and create an alternative distribution path. The internet has made this real, but it also builds on a far older model where stories rise up to meet the needs of the community – we seek out the stories that help us understand our universe and survive it, maybe even transcend it for a few moments.

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Away from Predictability and Routine. It is not our job to sell the old paradigms of existing shows and tried and tested formats. It’s our job to originate new ones. No one under 20 admits to watching TV. Yet they do watch heavily authored and beautifully crafted series that speak to their own tastes and values. Nothing is ever truly new of course and those shows stand on the shoulders of others and have their own ritualistic formats and tropes. But at least for the moment they feel box-set fresh, a story we want to collect, like golden breadcrumbs.

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To Meet Fellow Travellers and Collaborate. Communities of filmmakers, actors, writers, musicians and other creatives are getting together online and in the real world to create, distribute and cross-promote each others’ work. The freelancers have got together and as Billy Bragg would say, ‘there is power in our union’. Our manifesto is simple:

This is What We Want to Make. This is What We Need to Say.  Choose your dream project and make it happen. ‘I want to invite you to join me in making a story I care about.’ Few can resist those words and so artist speaks to artist directly without mediation or need of cumbersome management structures that falter at the first hurdle of making a decision.

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Make a Choice. Stand up for the stories you want to tell, the people you want to work with and the causes you believe in. Build value into your movies – not just monetary (though that would be nice) – but true value that supports our community and makes us stronger.

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Diversity is Who We Are. It is not a special interest group or a catch-all phrase for troublesome outsiders. We are a truly diverse nation and we have the opportunity like never before to reach a global audience by writing, making and distributing our own stories. There is a huge pool of talent already trained and ready to be a part of this– don’t let anybody tell you otherwise.

May Your God Go With You. All belief systems are valid, even those we despise have a function for those who hold to them. To contemplate a network of stories and storytellers that span this incredible world of ideas, to connect emotionally to even one human being is extraordinary. How much greater is it to connect to millions with our words, our images, our lives?

Let’s Get Together. And make something great.

Red River Screening

I’m in the usual places – @emlin32, and right here. Leave a message. x

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RED RIVER – My New Drama for Directors UK

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It started with an image. A tiny girl chased by a giant red veil. But it started before that, at a Human Rights Watch talk at the Frontline club, where I first heard about child brides, the number one issue facing human rights campaigners.

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It stuck in my mind. A girl, clever girl, young, still at school, who didn’t want to get married. Not yet. Not to a man much older than her. Not when she was ten, twelve, thirteen. So I carried this idea around, waiting to write it up. And in the winter, just before Christmas, it came out – this dream, this chase, this story. A runaway child bride, here, in London, on the River Thames. And then this story was made real. ‘Red River’ was selected for the Directors UK Challenge ALEXA scheme, sponsored by ARRI.

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We went into pre-production in February and have just shot the film over three action-packed days in March. Alongside my writer-director role, I put my producer’s cap on and started to pull the elements together that we needed. There was a 12 year old girl in a boat on the river, a VFX dream sequence involving a giant veil, a chase sequence on the River, involving mud, more boats and water, and a series of driving scenes across London. It seems I had written a rather complicated ten minuter. But mostly I thought about the girl in the boat. The boat and the girl, drifting away in my dreams. And the Risk Assessment…

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Nikhita Mani and Munir Khairdin

The best thing about producing as well as directing is you get to pick the best people as your team. 90% of directing actors is great casting – and I had an amazing cast thanks to our clever casting director Shakyra Dowling, including  Goldy Notay, Munir Khairdin, Simon Nagra, and our two young actresses – Nikhita Mani and Mia Rolfe.

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Goldy Notay with Mia Rolfe and Nikhita Mani

So I do believe that directing a crew depends on – well – that crew being something special. Which of course they turned out to be.

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Abigail Berry at Directors UK provided invaluable production support while ARRI gave us an Alexa XT camera with a set of Master Anamorphic lenses and a generous lighting and kit allowance – plus a terrific amount of goodwill and technical know-how from Milan Krsljanin and his team of Challenge Alexa camera trainees (and all trainees are Met Film School graduates!).

So we hit the River running – and then God gave us the weather.

Em by camera

Light on the water, captured on those beautiful lenses by expert cinematographer Patrick Duval.

Em and Patrick

Footfall and dialogues caught by our very own Sam Cousins.

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And production design by creative dynamo, Sam Sharma.

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Then 11 year old Nikhita Mani ran on screen and became that character I had dreamed of all those months before. That clever girl, that girl who didn’t want to get married so soon, so young…

  Nikhita in boat

So now we are in the edit, with my old friend Alex Morgan, and in a few weeks time I will have to let her go – to the composer, the VFX compositor, the sound mixer and the colourist, ready for our Challenge Alexa screening in May. And then she will be off again, across the screen, running for her life, towards a new life.

Catch her while you can…

For more updates on RED RIVER, you can like our Facebook page here or follow us on Twitter: @emlin32, @golday_notay, @Nikhita_Mani, @ShakyraDowling, @Directors_UK

HUGE THANKS  to everyone who has worked with us so far! Emma xxx

Emma and Nikhita

 All photos by Doris Zajer..

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