IN SEARCH OF ACT 3

chiricahua 6HOW DO YOU WRITE YOUR THIRD ACT?

I have finally reached the end of Act Two, that long hinterland of plot development and adventures high and low.  For all its flaws it’s got me to this place – the beginning of Act Three.

And I have no idea what happens next.  And that’s OK.  Because during Act Two a strange and wonderful thing happened.  My characters started thinking and acting for themselves.  The framework of the treatment became just that, a point from which to leap into the unknown, still following the thread but winding through new paths in the city.   Let’s Get Lost.  And suddenly getting lost in the story doesn’t seem such a bad idea.

As a writer structure is your friend. You need it to lean on, to support you as you try and explore your ideas, to make a shape others will recognise and to help make sense of the emotional chaos of your world.  And structure, with its twist and turns, can be fun.  The spinning of a tale is half the pleasure, a spider’s web, a minor miracle.  Structure lends the journey a familiar form.  It gives comfort to the audience as they absorb difficult truths about themselves and the world they live in.

But not knowing is magical too.  Free writing, like free running, has a grace and honesty as it flies onto the screen.  Characters given free rein can go a little crazy, mess up and live their wildest dreams as they escape the limits of conscious thought and take you somewhere new.

To go in search is not to know the answer.  But to know you’re looking is a start.

Where are you in your writing this week?  What unexpected moments have you uncovered?  Leave a message below or find me @emlin32 on Twitter.

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