Directors rarely get to watch each other work. A director needs a second director on set like a fish needs a bicycle and it’s hard not to feel like a spare wheel when you’re just visiting a set. But if you make it your job to really follow the action, you can learn what you need to step up to the next level.
So how do you shadow without stepping on anyone’s toes?
1. Persuade a Producer. Asking to trail anyone on a production is a delicate negotiation. Producers (rightly) have to protect their cast and crew from distractions. You have to make it clear you won’t disrupt the flow. Let them choose a time when the pressure is less and find a friendly director who is open to the idea. Shadowing is an unpaid gig so be prepared to pay all your own expenses – it’s worth it.
2. Stop, Look, Listen. If you follow closely enough you can see the mechanics of a show without having to ask a load of redundant questions. The series producer generously gave me access to all aspects of production. Be aware that folk are working fast and time is money. However –
3. If you don’t understand something, ask. People enjoy explaining their job, and, if you show a real interest, you can find out how different members of the team solve problems and work more efficiently. You can learn how to work smarter and adapt to the changing demands of each day.
4. Learn from someone else’s style. David, the director I followed, was supremely relaxed on set and created a great atmosphere for cast and crew to work in. Watching how he achieved a variety of shots with elegance and economy in a limited time frame was fascinating and he was happy to explain his thinking and share his prep methods too.
5. Be your own person. When people asked me why I was shadowing, I just said I wanted to learn how the show worked. People will respect your desire to understand what they’re doing and why.
6. Be positive. On most sets the workflow is similar – rehearse, watch with crew, light and then shoot. But every set has a different dynamic, an energy that shifts according to what’s thrown at it, or who comes on board. You are part of that so always bring energy and enthusiasm and be a positive reflector for those around you.
7. Be realistic. Being an over-reaching breed, we directors tend to think we can shoot anything. So watching another director take on a role you covet is the best preparation for actually doing it yourself. That way you are aware of what’s actually required and can prepare for when you get the chance to go for it yourself.
8. Enjoy it! It’s not often you get to be on a shoot without all the responsibility that comes with directing one. It was a real pleasure to spend time with David and the crew, cast and production team and an experience I’ll remember with gratitude and affection.
Who have you learned from by watching them work? Leave a comment here or find me on twitter @ emlin32.